# The Michael Jackson Biopic Divides Critics and Fans Amid Behind-the-Scenes Drama

The Michael Jackson biopic currently playing in cinemas has become a magnet for controversy off-screen as much as on it. Paris Jackson has slammed the film for containing “full-blown lies,” while Leaving Neverland director Dan Reed has criticized it for sidestepping sexual assault allegations against the singer.

Colman Domingo, who portrays Joe Jackson in the movie, has spoken up in defense of the project, explaining why some of the accusations were not explored in the story.

Despite the behind-the-scenes tensions, the movie has also sparked a clear split between critics and moviegoers. Critics have tended to be harsh, whereas many audience members appear more forgiving or enthused.

Rotten Tomatoes currently shows a striking divide: a 40% critic score contrasted with a 96% audience score. The bulk of reviews have skewed negative, with outlets such as Empire labeling it “deeply generic,” IndieWire calling it “glossy, sanitized, and surprisingly dull,” and IGN deeming it “really, really bad.” The BBC described the film as a “bland and barely competent daytime TV movie.”

Tensions spilled onto social media, where Taj Jackson—Michael’s nephew—pushed back on critics, insisting that the public should judge the film for themselves rather than let the press define Michael Jackson’s legacy. He also teased that critics might eat crow later, and hinted at a petty stance. TJ Jackson later added his own take, urging people not to take professional critics seriously when it concerns his family.

Many fans have echoed the sentiment, rallying behind the biopic and railing against what they see as persistent negative coverage of Michael Jackson. One supporter said they personally loved the film, while another pointed out that the media has often been unkind to Michael, but fans remain steadfast. Frankie Muniz also voiced his praise for the film, noting how refreshing it was to see audiences enjoying live performances without smartphones intruding.

The film is tracking toward a strong opening, with projections suggesting roughly $65–$70 million in the United States over opening weekend and up to $150 million worldwide.

If you’re looking for more on music-themed cinema, you can check out lists of the best music biopics of all time for comparison and context.